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(Passion after John) | occasion = Good Friday | performed = (version 1) * (version 2)}} * (version 3) * (version 4) }} | movements = | text = anonymous | bible = | chorale = stanzas from 9 chorales (version 1) | vocal = choir and solo | instrumental = }} The structure of the ''St John Passion'' ((ドイツ語:Johannes-Passion)), BWV 245, a sacred oratorio by Johann Sebastian Bach, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. The original Latin title ' translates to "The Passion after John". Bach's large choral composition in two parts on German text, written to be performed in a Lutheran service on Good Friday, is based on the Passion, as told in two chapters from the Gospel of John ( and ) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew. During the vespers service, the two parts of the work were performed before and after the sermon. Part I covers the events until Peter's denial of Jesus, Part II concludes with the burial of Jesus. The Bible text is reflected in contemporary poetry and in chorales that often end a "scene" of the narration, similar to the way a chorale ends most Bach cantatas. An anonymous poet supplied a few texts himself, quoted from other Passion texts and inserted chorales by nine hymnwriters. Bach led the first performance on 7 April 1724 in Leipzig's . He repeated it several times between 1724 and 1749, experimenting with different movements and changes to others, which resulted in four versions. The Passion, close to Bach's heart, has an "immediate dramatic quality". == Structure == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「St John Passion structure」の詳細全文を読む スポンサード リンク
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